Sweeping strings and sounds from the natural world speak beautifully to the film’s British setting, with melancholy moments on the piano painting a picture of nostalgia for pre-war times and moments of wonder and discovery amplified by driving timpani lines. It embraces moments of silence and does not dominate, rather providing a melodious support for the film’s outstanding acting and script, and breathtaking Suffolk landscapes. Gregory’s music for The Dig is soft and subtle.
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